Project | 項(xiàng)目名稱：Song's Chinese Cuisine | 宋·川菜  

Location | 項(xiàng)目地點(diǎn)：Guangzhou ,China | 中國(guó) 廣州

Interior Design |主案設(shè)計(jì)：Ray Wong黃永才 | RMA共和都市

Interior Design Team |設(shè)計(jì)團(tuán)隊(duì)：Jet Wong黃永杰 、Jay Wong王文杰、Eunice Wong王艷玲、Bell Wei韋士康、Jam Chan陳楚佳、Jack Qin覃昭量、Tango Yang楊之毅

Main Supplier | 主材供應(yīng)商：Weicheng Zhang  張煒誠  |廣州市大皇蜂不銹鋼制品有限公司

Author | 撰文：San YU | 三愚

Photography | 攝影：Jack Qin覃昭量 | RMA共和都市  Kaijian Lee李開建

Video shooting | 視頻：Paul Li | 李童 

不管愿不愿意，當(dāng)代設(shè)計(jì)從思想、原則到技法，都是由西方定義的。從古登堡的印刷機(jī)到包豪斯學(xué)派，西方設(shè)計(jì)師在平面、建筑、室內(nèi)、工業(yè)等多個(gè)領(lǐng)域，站在神壇上俯視其他文明。

雖然好的設(shè)計(jì)是世界的。但作為當(dāng)代的中國(guó)設(shè)計(jì)師，共和都市團(tuán)隊(duì)認(rèn)為，古東方審美體系原本就十分完善，只是未曾有機(jī)會(huì)與工業(yè)革命產(chǎn)生化學(xué)反應(yīng)。而從古東方審美中接續(xù)出現(xiàn)代設(shè)計(jì)，最關(guān)鍵的不在于像素級(jí)復(fù)刻出所謂“古鎮(zhèn)”“古建筑”“古典東方風(fēng)格”，而在于用經(jīng)典元素鏡像出一個(gè)時(shí)代的氣質(zhì)。

在設(shè)計(jì)師這里，任何過去，都是序章。

For the designer, any past is a prologue.

為什么是宋?

唐宋元明清，都深深影響了現(xiàn)代中國(guó)。但在相對(duì)客觀的西方學(xué)者旁觀看來，現(xiàn)代意義上的中國(guó)文化，成型于宋。

The Tang, Song, Yuan, Ming and Qing Dynasties have deeply influenced modern China. But in the view of relatively objective Western scholars, the Chinese culture in the modern sense is shaped in Song Dynasty.

哥倫比亞大學(xué) Weatherhead 東亞研究計(jì)劃的官網(wǎng)上，有這么一段話：

Columbia University ‘s Weatherhead published such a passage on the official website of the East Asian Research Program:

這主要是說，在宋以前，現(xiàn)代中國(guó)習(xí)以為常的一些文化習(xí)慣和現(xiàn)象，并不存在。例如大規(guī)模食用稻米、飲茶、人口大爆炸、成體系的儒學(xué)、建筑形制中的飛檐等等。因此，雖然有 “漢人”“唐人” 的說法，但事實(shí)上今天的我們，更多是“宋人”。宋代也是古東方審美公認(rèn)的最高峰。因此，從宋代的審美意象中接續(xù)出現(xiàn)代設(shè)計(jì)，最為相宜。

This is mainly to say that before the Song Dynasty, some cultural habits and phenomena that modern China took for granted did not exist. For example, large-scale consumption of rice, tea drinking, population explosion, Confucianism in the system, flying cockroaches in the architectural form, and so on.

Therefore, although there are called "Han people" and "Tang people", in fact, today we are more called"Song people." The Song Dynasty was also the highest peak recognized by the ancient Eastern aesthetics. Therefore, it is most appropriate to continue the modern design from the aesthetic image of the Song Dynasty.

《瑞鶴圖》記載：北宋政和二年上元之次夕，都城汴京上空忽然云氣飄浮，低映端門，群鶴飛鳴于宮殿上空，久久盤旋，不肯離去，兩只仙鶴竟落在宮殿左右兩個(gè)高大的鴟吻之上。引皇城宮人仰頭驚詫，行路百姓駐足觀看?？罩邢汕菥顾平馊艘猓L(zhǎng)鳴如訴，經(jīng)時(shí)不散，后迤邐向西北方向飛去。

The ancient books”lucky crane map”had recorded: on the second ninght of Lantern Festival in the second year of Northern Song Dynasty , suddenly the sky above the capital, the clouds floated, and the cranes flew over the palace. They hovered for a long time and refused to leave. The two cranes fell on the two tall kisses on the left and right sides of the palace.The people who attracted theimperial palace were astonished and the people on the road stopped to watch.The aerial crane looks like an understanding of the meaning of the person. It seems to be screaming for something, and it does not scatter over time. Later it flies northwest.

史上藝術(shù)造詣最高的皇帝宋徽宗目睹此景，落筆畫下瑞鶴圖。這幅《瑞鶴圖》堪稱有宋一代文化藝術(shù)的巔峰。設(shè)計(jì)師從中受到啟發(fā)，擷取了 “鶴羽” 這一微妙的元素，從中建立起新感官的全貌。

In the history of the art, the emperor of the highest emperor, Emperor Huizong Song, witnessed this scene and dropped the paintings “Ruihe”. This "Ruihe" is the pinnacle of the Song Dynasty's culture and art. The designer was inspired by this, taking the subtle elements of “crane feather”and establishing a new look of the senses.

宋·川菜用現(xiàn)代的材料與設(shè)計(jì)手法來演繹的中式餐廳，十萬塊異形的不銹鋼磚與四十萬塊琉璃羽毛構(gòu)成宋餐廳的基本形態(tài)。曲面的形態(tài)打破了一貫的中式餐廳的想象，形成獨(dú)特的空間體驗(yàn)。

Song’s Chinese Cuisine uses modern materials and design techniques to interpret Chinese restaurants. 100,000 pieces of heterosexual stainless steel bricks and 400,000 pieces of colored feathers constitute the basic form of the Song’s Restaurant.The curving shape of the surface breaks the imagination of the Chinese restaurant and creates a unique spatial experience.

“山有小口，仿佛若有光，復(fù)行數(shù)十步，豁然開朗?！背醪饺氩蛷d，曲折蜿蜒，磚墻貼面，采用 10800 塊不銹鋼磚復(fù)刻中國(guó)古典青磚墻，神秘，引人遐想。磚墻上的書柜，陳列著書簡(jiǎn)古籍，似乎讓人能立馬拋去外面的都市浮躁，內(nèi)心變得清凈起來。前廳中央的花藝，隨著二十四個(gè)節(jié)氣更換；恰逢“秋分”：秋分者，陰陽相半也，故晝夜均而寒暑平。

The ancient poem said: "There is a small mouth in the mountains, as if there is light, and dozens of steps are repeated, and suddenly it is clear." Initially entering the restaurant, the road is winding and winding. The veneer of the brick wall is engraved with 10,800 pieces of stainless steel bricks, which is mysterious and fascinating.The bookcase on the brick wall, showing the manuｓｃｒｉｐｔs and ancient books, seems to make people immediately throw away the urban impetuous outside, and the heart becomes clean.The flower in the center of the front hall is replaced with twenty-four solar terms; it coincides with the "autumn minute": the autumnal, the yin and yang are also half, so the day and night ,winter and summer bouth are half.

沿著小徑緩步前行，便會(huì)遇見碩大的球體。時(shí)間是流動(dòng)的生命，以國(guó)漆 12 道復(fù)雜的工藝沉淀歲月留下的痕跡，即便剝?nèi)トA美的外衣，留下的也是最質(zhì)樸的本真的美！

Walking slowly along the path, you will encounter a huge sphere.Time is a flowing life. With the 12 complicated techniques of the national paint, the traces left by the years are precipitated. Even if the gorgeous coat is stripped, what is left is the most pristine truth and the beauty that shocks the world!

穿過前廳迎面而來的是以“鶴翼”為題的大型琉璃羽毛藝術(shù)裝置，設(shè)計(jì)用現(xiàn)代的材料與設(shè)計(jì)手法來演繹，通過燈光的照射，透出華美夢(mèng)幻的光澤，399860片的琉璃羽毛與細(xì)長(zhǎng)的銅柱巧妙的分隔空間，與開放的廚房相對(duì)，或開敞，或圍閉。鶴作為我們中國(guó)人獨(dú)特的一種文化的凝聚與積淀，在中國(guó)傳統(tǒng)文化中是君子、高貴、尊榮的象征，又是幸運(yùn)與成功的標(biāo)志。

A large glass feather art installation with the theme of " Crane Wing" is on the way through the front hall. The design uses modern materials and design techniques to interpret, through the illumination of the light, reveals a gorgeous dreamy luster, 399,860 pieces of glazed feathers and slender copper columns subtly separate the space, which is opposite to the open kitchen, either open or enclosed. As a unique culture and accumulation of Chinese culture, crane is a symbol of gentleman, noble and honor in Chinese traditional culture, and a symbol of luck and success.