項(xiàng) 目 名 稱 : 龍巖建發(fā)城北壹號(hào)營(yíng)銷中心設(shè)計(jì)
Project Name | Longyan C&D City North One Marketing Center
甲 方 團(tuán) 隊(duì) : 建發(fā)房產(chǎn)
Party A Team | C&D Property
特 別 支 持 : 鄭建煌、鄭建雄、廖聰生、黃鋒
Special Support | Zheng Jianhuang Zheng Jianxiong Liao Congsheng Huang Feng
項(xiàng) 目 地 址 : 福建.龍巖市
Project Address | Fujian. Longyan City
完 成 時(shí) 間 : 2021年11月
Completion date | November 2021
室 內(nèi) 設(shè) 計(jì) : 深圳零次方空間設(shè)計(jì)
Interior Design | Z.POWER
軟 裝 設(shè) 計(jì) : 深圳零次方空間陳設(shè)
Soft Furnishing Design | Z.POWER
建 筑 單 位 : 廈門(mén)合立道工程設(shè)計(jì)
Construction unit | Xiamen Hailidao Engineering Design
景 觀 單 位 : 廣州域道園林景觀設(shè)計(jì)
Landscape Unit : Guangzhou Vedao Landscape Design
室 內(nèi) 攝 影 : 文耀影像
Photography | WYAP Wenyao Mirror
以山為德,以水為性 & 歸山有舍
山因水而靈,水遇山則繞。山水相擁,光影照映。在中國(guó)的傳統(tǒng)文化中,倡導(dǎo)“以山為德,以水為性”的美學(xué)追求,項(xiàng)目位于福建龍巖,意在如何表達(dá)在當(dāng)代的設(shè)計(jì)邏輯中構(gòu)筑東方精神的文化載體,深挖文化根源,探索基于民族文化與未來(lái)發(fā)展的哲學(xué)與本體。
The mountain is spiritual because of the water, and the water is around when it meets the mountain. The mountains and the water embrace each other, and the light and shadow reflect each other. In Chinese traditional culture, the aesthetic pursuit of "mountain as virtue, water as nature" is advocated. The project is located in Longyan, Fujian, and is intended to express how to construct a cultural carrier of oriental spirit in the contemporary design logic, dig deep into the cultural roots, and explore the philosophy and ontology based on national culture and future development.
整個(gè)設(shè)計(jì)以水為脈,庭院環(huán)繞。建筑師借助水景營(yíng)造自然消隱的和諧關(guān)系,筑山、置石、花鳥(niǎo)、建筑巧妙地融為一體,將建筑的自然屬性最大化,讓設(shè)計(jì)回歸到自然、純樸的藝術(shù)意境。
The whole design takes water as the pulse and the courtyard is surrounded. The architects create a harmonious relationship of natural fading with the help of water scenery, and the stones, trees, water and architecture are cleverly integrated to maximize the natural attributes of the building and return the design to a natural, pure and simple artistic mood.
壁畫(huà)飛鳥(niǎo)立于枝頭跳躍嬉戲
盡情享受今日的暖陽(yáng)
前廳壁畫(huà)高山流水,樹(shù)木高闊、密實(shí)如傘蓋的枝葉,臨溪觀望的飛鳥(niǎo),樸茂華潤(rùn)的花卉,在東陽(yáng)木雕水波蕩漾的紋路里,紫金山流轉(zhuǎn)千年的綠影映照其間,陽(yáng)光從其中滲漏而下,遺留在表面參差的石頭間隙里,這派的恬靜、幽深與閑適。演奏著一曲山間野趣的梵聲。
The frescoes of high mountains and flowing water in the front hall, the trees with high and broad, dense branches like umbrella, the birds watching the stream, the flowers with simple and luxuriant flowers, the green shadows of the purple mountain flowing for thousands of years are reflected in the ripples of the Dong Yang wood carvings, the sunlight leaking down from them, left in the gaps of the jagged stones on the surface, the tranquility, seclusion and leisure of this school. This is a quiet, profound and leisurely school of thought. It plays a song of Sanskrit in the mountain wilderness.
山水霧氣縈繞山間
盈盈碧波搖曳
青山隱隱,乘云欲歸
或近,或遠(yuǎn),或隱,或顯
......
空間通過(guò)廊道、疊山、理水、植樹(shù),花鳥(niǎo),引景入室,營(yíng)造自然山野的自由意趣,人與環(huán)境的和諧共處、相得益彰。
The design of the transept introduces scenery into the room through the corridor, mountain stacking, water management and tree planting, creating the free interest of the natural mountains and wilderness, and the harmonious coexistence between people and the environment.
空間整體以原木色為主,原木色是對(duì)自然的最好詮釋,原木風(fēng)簡(jiǎn)單但不寡淡,寧?kù)o但不冷清,線條簡(jiǎn)單卻樸實(shí)自然,光影的自然貫穿,讓空間變得溫暖舒適、古樸純凈。木制欄柵懸于空,結(jié)構(gòu)于光于影,變幻無(wú)窮。平凡之光,虛無(wú)靜謐,卻能讓所有的藝術(shù)變得真實(shí)可觸,灑于大地,基于時(shí)空,慢慢沉淀,漸漸呈現(xiàn)。
The space as a whole is dominated by the original wood color, the original wood color is the best interpretation of nature, the original wood wind simple but not bland, quiet but not cold, simple lines but simple and natural, the natural penetration of light and shadow, so that the space becomes warm and comfortable, simple and pure. Wooden fence hanging in the air, structure in the light and shadow, infinite changes. The ordinary light, nothingness and quietness, but can make all the art become real and touchable, sprinkled on the earth, based on time and space, slowly precipitated and gradually presented.
詩(shī)詞自王有容 《龍巖八景》
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