予美組展廳設(shè)計(jì) | “光”的三重奏

以“墻”為窗

Take The "Wall" As The Window

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黑川雅之在描述日式的傳統(tǒng)住宅時(shí)，形容障子門窗為“光墻”，光透過(guò)障子紙顯露了曖昧的、隱約的、含蓄的東方意韻。相對(duì)于封閉的暗空間，展廳設(shè)計(jì)以“光墻”為窗的處理方式似乎變得妙不可言，因?yàn)椤按啊卑凳玖送獠康氖澜纾酝腹馐茷檩d體，水色迷濛氤氳、草木影綽婉約的經(jīng)營(yíng)，令自然生動(dòng)的氣息撲面而來(lái)。

When describing traditional Japanese houses, Masayuki Kurokawa described shoji doors and Windows as "light walls". Light through Shoji paper reveals ambiguous, vague and implicit Oriental charm. Relative to the closed dark space, the processing method with "light wall" as the window seems to become wonderful, because "window" implies the outside world, with transparent stone cloud as the carrier, water color is dense and dense, and the management of vegetation shadow is graceful, making the natural and vivid breath.

“為生活設(shè)計(jì)光”是HI.LIGHT 好光照明的品牌理念，在這里“光”并非是正常意義上物質(zhì)的光，而是被轉(zhuǎn)譯為一種能量，關(guān)于生活的能量、空間的能量和精神的能量。展廳設(shè)計(jì)由目之所見的感知到涉及五感的具身體驗(yàn)，能量為空間而創(chuàng)造，也被恰如其分的設(shè)計(jì)動(dòng)作所捕捉。

"Design light for life" is the brand concept of HI.LIGHT. Here, "light" is not material LIGHT in the normal sense, but translated into a kind of energy, energy of life, energy of space and energy of spirit. The energy is created for the space, and is appropriately captured by the design action.

所以在整體的平面布局里，展廳設(shè)計(jì)依據(jù)功能劃分為三個(gè)層級(jí)，從入口到餐廳、起居和臥室，再到品茶區(qū)、“光通道”以及燈光魔盒展區(qū)，依次漸進(jìn)，訪客從外入里，拾級(jí)而上，情緒、節(jié)奏、能量同樣產(chǎn)生著微妙的變化。這種以“光”為媒介，復(fù)合的，多感官的、悄然發(fā)生的音樂性過(guò)程，我們稱之為“光”的三重奏。

Therefore, in the overall layout, the exhibition hall is divided into three levels according to its function, from the entrance to the dining room, living room and bedroom, and then to the tea tasting area, "light channel" and the lighting magic box exhibition area. The visitors step up from the outside to the inside, and the mood, rhythm and energy also produce subtle changes. This kind of compound, multi-sensory and stealthily occurring musical process with the medium of "light" is called the trio of "light".