在“意堂·知已廳”包間里；非一眼看盡。而是，極簡(jiǎn)的空間如畫(huà)般地將畫(huà)意、畫(huà)理、畫(huà)境與空間相融！

In the private room of "Yitang · Zhiyi Hall"; Not at a glance. However, the minimalist space will be picture-like painting, painting, painting and space integration!

回到《思源書(shū)館》空間，“移竹當(dāng)窗，分梨為院”園林手法與《雅談閣》來(lái)隔斷。溶溶月色，瑟瑟風(fēng)聲，格柵式的窗簾透過(guò)光，疏影橫斜 而入，會(huì)所裝修設(shè)計(jì)映照在書(shū)桌上， “光”的生機(jī)主義娓娓道來(lái)。拿起書(shū)本閱讀，彷佛處于山居般讀書(shū)生活場(chǎng)景。

Back to "Siyuan Library" space, "move bamboo when the window, pear for the courtyard" garden techniques and "Ya Tan Pavilion" to partition. Dissolving moonlight, rustle the wind, the curtain of grid type passes through the light, thin shadow is cross and enter, mirror is shining on desk, "light" vitality doctrine is written down. Pick up the book to read, as if in the mountain like reading life scene.

藝術(shù)——訴求衍生出藝術(shù)的穿透力

美食——品嘗中華文化與智慧情境

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