CROX闊合團隊通過綿密的策展會議，學習復雜龐大的金融清算專業(yè)系統(tǒng)，分析建筑社會文史，逐步建構屬于上海清算所的展覽定位，提出WATCHER（守衛(wèi)者）＆VOYAGER（航行者）的策展命題。不同于一般的展覽策劃邏輯，清算所展示館透過WATCHER＆VOYAGER兩種觀點傳達了上海清算所豐富的專業(yè)及歷史含量。設計層面取材兩英文單詞的字首，以連續(xù)的W和V字母形象串接一道趨勢線，形象地將其整合為金融業(yè)的通用視覺語言，穿梭在百年建筑空間中，時為主體，時為側軸，營造展覽的時代動感，在不同的展示區(qū)域，大量運用數(shù)碼技術，將復雜的金融業(yè)務原理轉換成時尚的視覺符號與互動科技。整座空間成為一座大型的裝置藝術，包含入史料文物、影像紀錄、實體模型、銅雕紀錄等等，運用材質、燈光、文史論述、數(shù)碼設計、空間設計等跨越不同的時代的設計符號，喚醒參觀著潛在文化印象，觸發(fā)認同感，形成極具張力的金融文創(chuàng)體，屬國內少見的創(chuàng)新展示型態(tài)。裝修設計

Through intensive meetings of exhibition planning, CROX teamstudies complex and huge financial clearing professional system, analyses the history of architectural society, gradually constructs the exhibition positioningof Shanghai Clearing House, and puts forward theexhibition themes of WATCHER and VOYAGER. Unlike the general logic of exhibition planning, the exhibition hall of Shanghai Clearing House conveys the rich professional and historical content of Shanghai clearing house through WATCHER & VOYAGER. At the design level, thefirst letter ofthetwo English words are taken, andthe continuous W and V letter images are connected in series to form a trend line, which is integrated into the general visual language of the financial industry. It shuttles through the century-old building space, sometimes as the main body, sometimes as the side axis, creating the dynamic sense of the times of the exhibition. In differentexhibition areas, digital technology is used extensively to transform complex financial business principles into fashionable visual symbols and interactive technology. The whole space has become a large installation art, including historical relics, image records, physical models, bronze sculptures and so on. It is a rare innovationexhibition formatin China to use design symbols such as material, lighting, literary and historical expositions, digital design, space design and so on to arouse the potential cultural impression of visitors, trigger the sense of identity, and form a financial literary style full of passion.