此外，入口的設計緊抓美術館的客群調(diào)性，美術館設計探索出一個與“時空”、“藝術”有關的幾何空間。設計師以“隧道”為概念，用極其有張力的材料、形態(tài)組合裂變，為空間的縱深感塑造層次，聚焦人們的視覺落點，也連接著室內(nèi)與室外、過去與未來、中國與世界。

In addition, the design of the entrance firmly grasps the audience tone of the art gallery and explores ageometric space related to "space-time" and "art". Based on the concept of "tunnel", the designer usesextremely tense materials and forms through combination and fission to shape the depth of the spaceand focus on people's visual points. At the same time, it also connects indoor and outdoor, past and future, China and the world.

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