項(xiàng)目名稱：誰(shuí)最中國(guó)辦公室設(shè)計(jì)

Project Name: Shui Zui Zhong Guo

項(xiàng)目地點(diǎn)：中國(guó) 北京 朝陽(yáng)區(qū)東朝時(shí)代

Project Location:Dongchaoshidai, Chaoyang District,Beijing, China

設(shè)計(jì)單位：CUN寸DESIGN(www.cunchina.cn)

Design Unit: CUN DESIGN(www.cunchina.cn)

主案設(shè)計(jì)：崔樹(shù) 李輝

Chief Designer: Cui Shu & Li Hui

建筑面積：1000㎡

Building Area: 1000㎡

設(shè)計(jì)時(shí)間：2021.10

Design Time: October 2021

完工時(shí)間：2022.7

Completion Time: July 2022

誰(shuí)最中國(guó)-無(wú)形的東方之態(tài)

「誰(shuí)最中國(guó)」的這處空間坐落于北京的百子灣園區(qū)內(nèi)，作為一家致力于“中國(guó)文化，當(dāng)代表達(dá)”的觸摸和探索的文化藝術(shù)類媒體品牌，這處空間宛若他們于物質(zhì)世界的一處鏡像。1000平方米的原場(chǎng)地空間，被一分為二，600平方用于作誰(shuí)最中國(guó)團(tuán)隊(duì)的辦公空間，另外400平方用于構(gòu)建一個(gè)叫做「誰(shuí)園」的文化空間。如若分別從兩個(gè)不同的入口進(jìn)入其中，多半會(huì)以為這是兩個(gè)風(fēng)格迥異的獨(dú)立空間。

The "Shui Zui Zhong Guo" space is situated in Beijing Baiziwan. As a cultural and artistic media brand dedicated to the exploration of "Chinese culture and contemporary expression," this space is akin to a reflection of their endeavors in the material world. The original 1000-square-meter space is divided into two parts: 600 square meters used as the office space for the Shui Zui Zhong Guo team, and another 400 square meters dedicated to creating a cultural space known as "Shui Yuan." If one were to enter through two separate entrances, they might think these two distinct spaces are two enterprises.

兩個(gè)空間有彼此完整獨(dú)立的動(dòng)線但以通道相連，猶如一個(gè)古代院落的前庭與后院?！刚l(shuí)園」作為「誰(shuí)最中國(guó)」的美學(xué)空間，沒(méi)有像通常藝術(shù)畫(huà)廊那樣做純白色調(diào)性的處理，而是通過(guò)剝離原本墻面的抹灰，辦公室設(shè)計(jì)讓空間回到最原始的樣子，6米挑高的空間中，僅克制的留下幾處渾圓的灰色立柱頂天立地，在人的尺度之上創(chuàng)造出的空曠與留白是空間精神性的物質(zhì)基礎(chǔ)，60多年前的紅磚從功能主義的立面變身成為時(shí)代舞臺(tái)上一面新的幕布。

These two spaces have independent pathways but are connected through a corridor, resembling the front and backyard of an authentic Chinese courtyard. Shui Yuan serves as the aesthetic space for Shui Zui Zhong Guo. Instead of the typical all-white tone seen in art galleries, it returns the space to its most primitive state by stripping the original wall plaster. Within the 6 meters high space, only a few rounded gray columns are left standing, creating a sense of openness and blankness that forms the material basis of the spiritual nature of the space. The red bricks from over 60 years ago have transformed from a functionalist facade into a new curtain on the stage of the times.