兩個空間就像一體兩面的雙生之花，一面是「誰最中國」作為媒體與內(nèi)容創(chuàng)作者十年如一日對中國文化當代表達的持續(xù)探索，辦公室設(shè)計以及由此沉淀來的豐盛的思考，另一面則是「誰最中國」渴望不再單孑獨立，于是造了這處「誰園」作為舞臺，令群賢畢至，向更廣義的“大家”融合。

These two locations resemble a pair of back-to-back twin blooms. On one side is Shui Zui Zhong Guo, a media and content developer who has spent a decade researching how Chinese culture is expressed today and the ensuing profound pondering. On the other hand, Shui Zui Zhong Guo wanted to stop being alone, so they built Shui Yuan as a stage and invited numerous artists to perform there and engage with a larger "public."

如「誰在中國」的主理人海豐所言，“……設(shè)計最終的目的不是建筑、不是空間，而是人在空間、辦公室設(shè)計在建筑中的‘狀態(tài)’，是人在空間、在建筑中的無意識，是在無意識狀態(tài)下的精神愉悅……

"The ultimate goal of design is not architecture or space, but rather the'state' of people in space and architecture, the unconsciousness of people in space and architecture, and the spiritual pleasure in unconsciousness," as stated by Haifeng, the host of Shui Zui Zhong Guo.