項(xiàng)目名稱｜北京CEDRUS小眾買手店

設(shè)計(jì)范圍｜空間設(shè)計(jì)、軟裝設(shè)計(jì)、燈光設(shè)計(jì)

項(xiàng)目地址 |  中國(guó) · 北京工體

室內(nèi)面積｜350平方

設(shè)計(jì)時(shí)間｜2019年11月

完成時(shí)間｜2020年8月

設(shè)計(jì)主控｜林鎮(zhèn)

設(shè)計(jì)總監(jiān)｜Gaby.Teng

設(shè)計(jì)團(tuán)隊(duì)｜蔡梓瑩

項(xiàng)目經(jīng)理｜鄭子良

施工跟進(jìn)｜莫自豪

藝術(shù)軟裝｜梁蘊(yùn)姿、莫思敏

主要材料｜微水泥、亞克力、磨砂金屬、黑色洞石

軟裝品牌 | CC-Tapis、Arper、9Viia、Flos燈具、Daniel Arsham藝術(shù)家產(chǎn)品

文章撰寫 | 龔妙君

攝影視頻｜覃昭量、龔妙君

特別鳴謝 | CEDRUS創(chuàng)始人團(tuán)隊(duì)坤哥、YUKI

文稿翻譯 | 劉嘉欣

" 虛構(gòu)考古學(xué)，

將我們當(dāng)下所見(jiàn)的投射到未來(lái)，

想象千年后的考古現(xiàn)場(chǎng)，

來(lái)思考過(guò)去、現(xiàn)在和未來(lái)。

Fictional archaeology,

Project what we see now into the future,

Imagine an archaeological site a thousand years later,

Think about the past, the present and the future.

—— Daniel Arsham "

有時(shí)人們會(huì)因?yàn)闀r(shí)間的流逝而望洋興嘆，它的每分每秒都在無(wú)聲無(wú)息中流走，不能捕捉、不被支配。因此，人們總是熱衷于以各種形式手法來(lái)表達(dá)對(duì)時(shí)間不斷流逝的特殊情結(jié)。本項(xiàng)目部位于北京朝陽(yáng)區(qū)工體內(nèi)的店鋪裝修設(shè)計(jì)，業(yè)主是兩位日本留學(xué)服裝設(shè)計(jì)師，長(zhǎng)年生活在日本受當(dāng)?shù)匚幕挠绊懀貒?guó)發(fā)展的他們找到了DPD希望做一家不一樣的買手店，結(jié)合他們自己的設(shè)計(jì)信念詮釋于空間之中。

People sometimes feel helpless because of the passage of time. When they do things , they feel helpless because of the lack of strength or conditions. Every minute of it flows away silently and can't be captured and controlled. Therefore , people are always keen to express their special complex about the continuous passage of time for various forms . This project was located in Works Stadium , Chaoyang District, Beijing . The owners are two Japanese fashion designers studying abroad. They have lived in Japan for a long time. So they are influenced by the local culture, they are back to China and start to develop their industry and found DPD. They hope to be a unique buyer's shop and interpret it in the space with their own design beliefs.

△ Daniel Arsham作品 / Daniel Arsham的Instagram賬號(hào)

△ Project By Daniel Arsham / Instagram by Daniel Arsham

時(shí)間所塑造的世界

Time Created This World

美國(guó)當(dāng)代藝術(shù)家Daniel Arsham善于重現(xiàn)過(guò)去、現(xiàn)在、未來(lái)的永恒時(shí)刻，讓堅(jiān)固、穩(wěn)定的建筑體用時(shí)間詮釋著時(shí)間所塑造的世界。尋求一個(gè)存在于現(xiàn)實(shí)中的時(shí)間點(diǎn)——一個(gè)大家既能接受的，但又存在一定異常的廢墟世界。

An American artist of Daniel Arsham, his good at reproducing the eternal moments of the past, the present and the future, so that solid and stable buildings can interpret the world shaped by time. Looking for a time point existing in reality -- A world of ruins that is acceptable to all, but with some abnormality.

店鋪裝修設(shè)計(jì)設(shè)計(jì)師對(duì)空間的靈感來(lái)源是受到美國(guó)當(dāng)代藝術(shù)家Daniel Arsham的未來(lái)考古風(fēng)影響，在設(shè)計(jì)上保留原建筑效果，打造出開(kāi)裂的墻壁，它在空間中表達(dá)出考古空間的同時(shí)，將一道道墻壁視作為阻擋，斑駁的墻體被一種牽引力肆意地撕扯，當(dāng)連接著天花板和地板之間的墻壁裂開(kāi)，泥石崩塌，另一個(gè)不同世界將慢慢呈現(xiàn)出來(lái)，仿佛這是一個(gè)開(kāi)裂的廢墟世界，也是空間與空間之間的交接間點(diǎn)。

The designer's inspiration is coming from an American artist of Daniel Arsham，also they are influenced by Arsham's ancient style. They are keeping original architectural effect on the design, they also create a cracked wall, While expressing the archaeological space in the space, it regards one wall as a barrier, and the mottled wall is torn by a kind of traction force. When the wall connecting the ceiling and the floor cracks, the debris collapses, another different world will display in slowly in orderly, as like this is a cracked world of ruins, it also the intersection point between space to space.

整個(gè)空間被一種無(wú)形的牽引力撕扯而裂開(kāi)，當(dāng)墻面被上下扯裂開(kāi)時(shí)，中間形成一個(gè)維度空間，這是一個(gè)特殊的多重維度空間。設(shè)計(jì)師希望這個(gè)空間是充滿來(lái)力量感的，正因?yàn)榱α看嬖谟诖瞬诺靡孕纬删S度，從而把維度的概念在空間中滲透貫穿始終。

The whole space is torn apart by an invisible traction force. When the walls are torn up and down, a dimensional space is formed in the middle, which is a special multi-dimensional space. Designers hope that this space is full of a sense of power. It is because of the existence of power that the dimension can be formed and the concept of dimension can be permeated through the space.

△ 慢慢走近，人們從被撕扯開(kāi)的墻縫中窺探出一個(gè)新的廢墟世界

△ Slowly approaching, people peep out a new world of ruins through the torn cracks in the wall

△ 運(yùn)用各種簡(jiǎn)約的線條方式，把空間的所有事物都串聯(lián)起來(lái)

△ Use a variety of simple lines to connect all things in space

整個(gè)空間的設(shè)計(jì)基于在各種實(shí)地考察和調(diào)研分析，最終結(jié)合創(chuàng)作構(gòu)思而得出店鋪裝修設(shè)計(jì)。設(shè)計(jì)師從商品中提取設(shè)計(jì)靈感，“解構(gòu)”手法并運(yùn)用在空間的不同區(qū)域之中。空間的設(shè)計(jì)調(diào)性圍繞著暗黑、潮流、冷清、質(zhì)感，把黑、灰、白、木相結(jié)合應(yīng)用到空間中。

The design of the whole space is based on a variety of on-the-spot investigations and analysis, and finally combined with the creative ideas. Designers extract to design inspiration to commodities and use deconstruction in different areas of space. The design tonality of the space is around dark, trendy, cool, texture and pure, and also combination of black, gray, white and wood are applied to the space.

△ 為了達(dá)到理想的效果，墻面的設(shè)計(jì)制作特別邀請(qǐng)了中央美院優(yōu)秀雕塑團(tuán)隊(duì)制作

△ In order to achieve the ideal effect, the wall designed and produced specially invited the outstanding sculpture team of Central Academy of Fine Arts to produce