DPD新作| 開裂的廢墟世界

△ 鏡面與斑駁的墻相結(jié)合，仿佛裂開的時空隧道，空間與空間之間的交接

△ The combination of the mirror and the broken wall is like a split space-time tunnel and the connection between space to space

△ 寬敞的落地玻璃，很好地將室外的美景引入室內(nèi)，使得內(nèi)外空間充分交融，讓每一格櫥窗都像獨一無二的藝術(shù)場景

△ The spacious floor glass well introduces the outdoor beauty of the interior, making the internal and external space, fully blend, making each window look like a unique art scene

發(fā)掘時空中的未來

Explore The Future In Space-Time

考古一直以來都是一種確定性的科學(xué)，我們通過考古確定在哪個時間點發(fā)生了哪個事件。以這樣的角度塑造未來的故事，也就是說我們現(xiàn)在的這些物件，在未來也可能成為一種虛構(gòu)的考古事實。通過這樣的做法，店鋪裝修設(shè)計不僅模糊了我們對于物品被創(chuàng)造的時間的認(rèn)知，也模糊了我們作為觀眾所身處的時間。我們是否已經(jīng)向前邁進(jìn)、進(jìn)入了未來呢？

Archaeology has always been a kind of deterministic science, through which we can determine which event happened at which time point. In this way, the story of the future is shaped, that is to say, the objects we have now may also become a kind of fictional archaeological facts in the future. By doing so, we not only blur our understanding of the time when objects are created, but also blur the time we are in as viewers. Have we moved forward into the future?

整個空間與周圍的環(huán)境“格格不入”，它們像廢墟一樣，但卻又如此與眾不同。它在精神上自我獨立，堅定沉默。斑駁質(zhì)感的墻壁上下對稱裂開，兩者雖相隔卻成呼應(yīng)關(guān)系。人們可以在夾縫中窺探一切事物，仿佛能從夾縫中看到未來的世界。同時也是呼應(yīng)設(shè)計上想要呈現(xiàn)出業(yè)主和對應(yīng)的消費群體，他們都有著獨特的審美、獨特的眼光，以及不一樣的角度來看世界。

The whole space is " Out of Place " with the surrounding environment. They are like ruins, but they are so different. It is spiritually independent, firm and silent. The walls of mottled texture split symmetrically from top to bottom. Although they are separated, they form a corresponding relationship. People can peep at everything in the cracks, as if they can see the future world from the cracks . At the same time, it is also in response to the design to show the owners and corresponding consumer groups, they all have a unique aesthetic, unique vision, and a different point of view of the world.