回藝術(shù)中心設(shè)計(jì)

項(xiàng)目名稱：回藝術(shù)中心設(shè)計(jì)

設(shè)計(jì)機(jī)構(gòu)：AD ARCHITECTURE∣艾克建筑設(shè)計(jì)

總設(shè)計(jì)師：謝培河

設(shè)計(jì)團(tuán)隊(duì)：艾克建筑

項(xiàng)目地點(diǎn)：廣東汕頭

占地面積：4000㎡

建筑面積：1600㎡

主要材料：外墻漆、花崗巖、地毯、瓷磚

設(shè)計(jì)時(shí)間：2021年8月

竣工時(shí)間：2022年12月

項(xiàng)目攝影：張超建筑攝影工作室、飛行映畫

回藝術(shù)中心：潮汕村落里的藝術(shù)涅槃

Future Artspace H by AD ARCHITECTURE

回藝術(shù)中心由未來(lái)愿景創(chuàng)辦，是汕頭最新設(shè)立的商業(yè)藝術(shù)機(jī)構(gòu)與管理咨詢團(tuán)隊(duì)。藝術(shù)中心坐落于十一合藝術(shù)村的主要干道上，曾經(jīng)沉寂的村落，人們出海下田，靠天吃飯，隨著生活水平不斷提高，村民們陸續(xù)搬出舊屋，在新分配的土地上建起幾層樓高的方塊狀樓房，這是一個(gè)時(shí)代變遷的印記，舊屋與新房穿插構(gòu)成，藝術(shù)中心設(shè)計(jì)的出現(xiàn)為藝術(shù)村的形象增添了藝術(shù)色彩。

Future Artspace H is established by Future Vision, a Shantou-based emerging institution dedicated to commercial art and management consulting.

Future Artspace H is located on the main road of Shiyihe Village. With the improvement of living standards, residents in the village, who used to make a living by farming and fishing, have moved out of their old houses and have built multi-story square-shaped new residences on designated plots. The new and old buildings interweave in the village, reflecting the traces of evolution. The construction of the project would inject an artistic vibe into the village in the context of rural renewal.

設(shè)計(jì)的邊界

Design boundary

在藝術(shù)中心設(shè)計(jì)中，我們?cè)噲D探討項(xiàng)目本身的邊界，在建筑之外，設(shè)計(jì)的邊界將從城市與社會(huì)去發(fā)聲，是一種自我審視的姿態(tài)。跳出建筑的傳統(tǒng)定義，從城市和社會(huì)的角度去思考，融入終端消費(fèi)市場(chǎng)、走進(jìn)大眾生活的藝術(shù)化空間和內(nèi)容，承載設(shè)計(jì)應(yīng)有的價(jià)值和溫度。

In this project, AD ARCHITECTURE pondered the boundary of the project beyond architecture, trying to speak for the city and society through design.

Breaking away from the conventional connotation of architecture, the design team approached the project from the perspectives of the city and society, intending to create an art space that integrates into both the market and the public life, to convey the value and warmth of design.

村落的建設(shè)一直是在沒有規(guī)范的規(guī)范中發(fā)展，藝術(shù)中心設(shè)計(jì)師謝培河從小在新溪鎮(zhèn)長(zhǎng)大，見證了這種村落在不和諧中發(fā)展成一種畸形的和諧，在傳統(tǒng)的潮汕民居中一棟棟獨(dú)立的盒子正在不斷的吞噬傳統(tǒng)的居住美學(xué)，形成一種變異的秩序。作為一個(gè)設(shè)計(jì)師我想我有這個(gè)義務(wù)去為這種變異做點(diǎn)什么，也想重新來(lái)激活和定義這些奄奄一息的土地，這個(gè)過程的變化是設(shè)計(jì)的意義。

For a long time, rural construction in many villages has evolved in the absence of planning. The chief designer Xie Peihe, growing up in Xinxi Town where the project is located, witnessed the disharmonious evolution of the built environment of local villages, and has noticed that box-like new constructions built amidst traditional houses are erasing traditional architectural aesthetics. As a professional designer, Peihe felt the responsibility to do something to activate and redefine the lifeless rural neighborhoods.

建立新的秩序與商業(yè)目的，重構(gòu)新社區(qū)的架構(gòu)。

This project is intended to create new order, introduce commercial art, and help shape a new community.

未見留白

Infinite possibilities

在空間藝術(shù)中心設(shè)計(jì)中，留白是一種形式，一種無(wú)為，一種利他，一種精神。在這里設(shè)計(jì)師所說的留白是一種看不見的留白，是一種商業(yè)手段與商業(yè)計(jì)劃，設(shè)計(jì)師希望突破功能的束縛。底層邏輯是一種婚禮宴會(huì)功能，基于婚禮對(duì)時(shí)間的嚴(yán)謹(jǐn)性，場(chǎng)地必定會(huì)出現(xiàn)許多空窗期，對(duì)功能的留白可以產(chǎn)生更多的定義，這是一個(gè)多元的藝術(shù)場(chǎng)景，商業(yè)與藝術(shù)的復(fù)合體。

With a simplistic design approach, AD ARCHITECTURE created “empty” spaces, in order to offer more functional possibilities to support commercial operations of the venue. Starting from an assumed basic function for weddings and banquets, the design team endowed the place with undefined possibilities, to allow for more effective use of space and enrich its operations. In this project, AD ARCHITECTURE created diversified art scenes, and produced a hybrid of commerce and art.