回藝術(shù)中心設(shè)計

建筑的立場

Architectural gesture

以抽象幾何為基礎(chǔ)，艾克建筑又一次極簡藝術(shù)派設(shè)計語言的傳達(dá)，吸引人們不自覺的想要到處走動。內(nèi)庭與外院讓人停留與聚集，傳統(tǒng)的院落用當(dāng)代的形式呈現(xiàn)，空間里與外、建筑與環(huán)境、建筑與人都在產(chǎn)生互動，打造一個以人為中心的藝術(shù)空間。

Playing with abstract geometry, the design team created a simplistic, artistic building that invites visitors to explore. Drawing on the wisdom of traditional courtyards, the inner and outer yards gather people and present a modern form. The design creates interaction between interior and outside, architecture and environment, architecture and people, and produces a truly people-oriented art space.

我們希望復(fù)雜的世界變得純粹，藝術(shù)中心設(shè)計師謝培河想突破建筑本身，更多的是參與空間的人與場地對周圍的影響。而這種影響是悄無聲息的。

Through a pure building form, Xie Peihe and his team hope to enable the venue and people engaging with the space to exert a subtle impact on the surroundings.

外向性

Visual identity

藝術(shù)中心設(shè)計除了物體本身，物體對周圍的作用也是設(shè)計過程值得去思考的，天際線的突破是設(shè)計中的計劃又略帶意外的一個結(jié)果。建筑的力量可以集中在一條弧線上劃破平靜的天空，吸引了所有人的眼球，同時讓平庸的村落變得具有唯美與藝術(shù)感。

In this project, the design team considered the building’s interaction with the surrounding environment. The architecture creates an iconic skyline, with a curve producing an eye-catching visual identity, which adds an aesthetic and artistic touch to the mediocre village.