契合3

設(shè)計(jì)師：虞國(guó)綸

設(shè)計(jì)公司：格綸設(shè)計(jì)

風(fēng)格：現(xiàn)代風(fēng)格

面積：34平

房屋材料：咖啡金色鍍鈦金屬、大理石、意大利磚、啞光大理石、鋼刷木料、鐵件、薄巖板、灰玻、皮革

設(shè)計(jì)說(shuō)明：

空間何以能熨貼人心？
不僅是型的雕琢、情韻的經(jīng)營(yíng)、工藝細(xì)節(jié)的講究，更在于一切有形無(wú)形的；契合。

由舊屋改造的此案，實(shí)際室內(nèi)面積約34坪，且因原格局已然不符需求，格綸設(shè)計(jì)團(tuán)隊(duì)全數(shù)拆除舊裝潢與隔間后，重作平面檢討與動(dòng)線(xiàn)配置，促成空間脫胎換骨的第一步。由公共空間到私領(lǐng)域，過(guò)濾容易生膩的過(guò)份華麗，改以大量氣度沉穩(wěn)、質(zhì)感佳的木、石、鐵件類(lèi)素材為主軸，尤其是異材質(zhì)銜接處高度細(xì)膩的作工表現(xiàn)，在靜謐之外；另有無(wú)畏時(shí)間、成就經(jīng)典的精緻。

玄關(guān)區(qū)不做制式區(qū)隔，好讓進(jìn)門(mén)的視線(xiàn)即刻看見(jiàn)深邃與開(kāi)闊，門(mén)旁轉(zhuǎn)角處則結(jié)合「精神柱」概念，以咖啡金色鍍鈦金屬褶曲、不規(guī)則包覆結(jié)構(gòu)轉(zhuǎn)角，金屬表面猶如利落的寶石切割，搭襯柔和背光恰似賞心悅目的裝置亮點(diǎn)，并能與屋主從事的金工業(yè)隱隱呼應(yīng)，于感官、于美優(yōu)雅契合。

公領(lǐng)域天花板的平整、干凈，有效拉升仰角視野，客廳電視墻與沙發(fā)背墻的線(xiàn)性解構(gòu)則各有表述，首先大量鋼刷木料施作的電視墻，同時(shí)也是客廳、書(shū)房的共用介質(zhì)，正立面導(dǎo)入X型立體剖面設(shè)計(jì)，抽象筆觸創(chuàng)造背光陰影下不同角度里的驚喜，兩側(cè)各懸掛一座鑲嵌薄巖板的鐵件框飾，不只為電視墻構(gòu)圖增加層次，更是隔間前移概念的創(chuàng)意演出，而透過(guò)鐵件框下的灰玻還能看見(jiàn)墻后書(shū)房區(qū)若隱若現(xiàn)的景致。選用啞光大理石直列分切、轉(zhuǎn)折、錯(cuò)拼而成的沙發(fā)背墻，隨興織就的天然紋理，遠(yuǎn)比刻意對(duì)花來(lái)得迷人，而在背光掩映與刻意不貼到頂?shù)氖址ㄏ?，一派?dòng)人的純凈與輕盈自然涌現(xiàn)，左側(cè)另嵌入一座電壁爐，賦予空間恰到好處的個(gè)性與溫度。

餐廳到廚房採(cǎi)三進(jìn)式的布局，先是大理石餐桌、附設(shè)水槽與開(kāi)飲設(shè)備的特製中島臺(tái)，然后銜接拉門(mén)可閉合的廚房動(dòng)線(xiàn)，三者之間互為前后景，機(jī)能更是互動(dòng)性絕佳，而自中島外觀、鍍鈦門(mén)框等細(xì)節(jié)，都能看出設(shè)計(jì)者不肯馬虎的堅(jiān)持。

How can space comfort the human heart?

Notjust in the carving of the shape, the fostering of the sentiment,orattending to craft details, but also concerting all tangible and intangible factors: congeniality.

This case involved therenovation of anold house with anactual indoor area of about34 ping (1ping ≈3.306 m2). As theoriginal framework no longer met thecustomer’snew needs, theGuru Interior Design team removed all the olddecorations andcompartments, reexamined thefloor plan, and reset themovingroutes,whichachieved the first step in the complete remodeling of the space. From the public space to the privateareas, the excessive magnificence thathadeasily causedsatiation wasfiltered, andreplaced with materials that embody animperturbable disposition, such aswood, stone, and ironas the main axes. In particular, the exquisite workmanship in the junction components of different materials isfar beyond tranquility, but transcends time and becomes aclassic

No standard partitionwas adopted for theentryway, allowing for a broad and deep view when entering the house. The concept of a “spiritual pillar” was incorporated in theturning point beside the door, withgolden brown titanium-plated metal foldsirregularly wrapping thestructuralturning point.The surface of themetal looks likeit has been whittled by a sharpgemstone, and the matchingsoft backlight seems to be thehighlight of the decoration, pleasing the eyes and the mind. This also echoes the metalworkprofession, which the homeowner is engaged in, and coincides withsensation, elegance, and beauty.

The flat and clean ceilingin the public area effectively raises the view from theangle of elevation. The linear deconstruction oftheTV wall and sofa back wallinthe living room is expressed differently. First, the TV wall, made of a large amount of steel-brushed wood, isshared between the living room and the study room. AnX-shaped three-dimensionalprofile design has been introduced into the front elevation. Theabstract strokes create surprisesfrom different angles under the backlit shadows. Apiece ofdecorativeiron frame embedded withthinstoneslateshas been hungon each side, whichnot only adds layers to the composition of the TV wall but also creatively presents the concept of movingthecompartment forward. The gray glass under the iron frameallowsfora view of the gleaming studyroomarea behind the wall. Thesofa back wall, madeof straight slitting, twisting, andrandomsplicing ofmatte marble, shows anatural texture thatis far more charming than can be found with deliberately createdpatterns. Through the setting off by thebacklight and the intentional avoidance of reaching the ceiling,atouchingpurity andgrace naturallyarises. An electric fireplace is embedded on the left side to give the space just the right personality and temperature.

A three-in-one layout has been adopted from thedining room to the kitchen, starting with a marble dining table, and thena special islandcounter withasinkanddrinking facilities, and finally connecting withthe sliding door, thus forming aclosed movingkitchen pathway. The threeserve aseach other’s front andback scenes,withexcellent interactive function. From the appearance of the island counter, the titanium-plated door frame, and other details, we can see the designer’s unremitting efforts.