本案作為無(wú)錫首家以設(shè)計(jì)師品牌授權(quán)為主、向消費(fèi)者提供獨(dú)到體驗(yàn)的時(shí)尚設(shè)計(jì)買手店，也是第一個(gè)與GB DAVID CUBE買手項(xiàng)目達(dá)成合作的品牌。六芒星是GB DAVID的獨(dú)特Logo，設(shè)計(jì)團(tuán)隊(duì)以嵌入的形式將其裝飾在外墻和島臺(tái)上，買手店設(shè)計(jì)并于四周打磨出雕鑿的痕跡，極致的粗獷與精致在碰撞中融合，回應(yīng)了品牌手工定制、不求繁雜的定位的同時(shí)，具象地闡述出主理人選品過(guò)程的嚴(yán)謹(jǐn)與細(xì)致。

This case is the first fashion design buyer store in Wuxi that focuses on designer brand authorization and provides unique experience to consumers. It is also the first brand to reach cooperation with GB DAVID CUBE buyer project. Hexagram star is the unique logo of GB DAVID. The design team decorated it on the outer wall and island platform in the form of embedding, and polished the carved traces around it. The extreme roughness and delicacy are integrated in the collision, which respond to the positioning of manual customization and no complication of the brand, as well as concretely expound the preciseness and delicacy of the selection process of the manager.

室內(nèi)借由線面、體塊以及色度上的調(diào)和，奠定清爽簡(jiǎn)練的空間氛圍，買手店設(shè)計(jì)在遞進(jìn)與交互之間詮釋出靈動(dòng)的層次之美。圓與方、曲與直、明與暗的拿捏思考，貫穿整個(gè)空間，微妙的平衡打破了棱角分明的常規(guī)邏輯，又從動(dòng)態(tài)上將每個(gè)功能分區(qū)彼此連接。

The interior establishes a fresh and concise space atmosphere by the harmony of line, surface, body and color, and interprets the flexible-level beauty between progression and interaction. The round and square, curved and straight, light and dark thinking runs through the whole space. The subtle balance breaks the angular conventional logic and dynamically connects each functional partition to each other.

穿過(guò)GB手作包展區(qū)，服飾陳列區(qū)的天花延續(xù)了前廳流暢順滑的線條，有秩散落的主副光源均呈飽滿的圓形，柔化了空間不規(guī)則外緣帶來(lái)的邊界感，同時(shí)使產(chǎn)品本身成為唯一的焦點(diǎn)，自然而然地將消費(fèi)者的目光吸引到中央的飾品展柜及四周的服飾陳列架上來(lái)。地面裝飾及展架也同樣保有一定的曲度，既能中和大量的金屬材質(zhì)帶來(lái)的視覺(jué)冷感，又可以與天花遙相呼應(yīng)，藉由多樣的線條將不規(guī)則空間“化零為整”。

Through the GB Handmade Bag exhibition area, the ceiling of the clothing display area continues the smooth lines of the front hall. The scattered main and auxiliary light sources are full circles, which softens the boundary feeling brought by the irregular outer edge of the space. At the same time, the product itself becomes the only focus, which naturally attracts the attention of consumers to the central jewelry display cabinet and the surrounding clothing display racks. The floor decoration and exhibition rack also maintain a certain curvature, which can not only neutralize the visual coldness brought by a large number of metal materials, but also echo with the ceiling, and "divide the irregular space into whole" through a variety of lines.